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In 1966 a unique project was hatched when conceptual artists and Bell Labs engineers collaborated on a series of live installations inside a National Guard Armory in New York City. One of those, “Open Score” by Robert Rauschenberg, pitted artists—including minimalist painter Frank Stella—against each other in a live game of tennis with rackets wired to switch the stage lights on and off and produce an aural musical score. Their movements were projected on large screens by infrared camera, giving the performers and the assembled crowd of 300 a ghoulish glow inside the cavernous armory … more
Open Score by Robert Rauschenberg is the first film to be released in a 10 DVD series of films on a legendary series of theater, dance, music and performances at the New York 69th Regiment Armory in 1966 by 10 New York artists: Robert Rauschenberg, John Cage, David Tudor, Yvonne Rainer, Deborah Hay, Robert Whitman, Steve Paxton, Alex Hay, Lucinda Childs and Öyvind Fahlström.
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Roman Haubenstock-Ramati - Petite musique de nuit (1958)
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Roman Haubenstock-Ramati - Streichtrio Nr. 1/Ricercari (1948/78)
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distorsión desequilibrada - ataque sensorial auditivo (1991)
peruvian industrial noise from 1990. this is one of the oldest latin american projects (that i personally know of, as there may have been a few earlier projects which faded into obscurity), and one of the harshest.
(via industrialpunk)
Posted on June 18, 2013 via maonag with 8 notes
Source: maonag-irbou
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Silence is so accurate.
Posted on June 18, 2013 via stz with 95 notes
Source: stxxz.us
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(via gedeckt)
Posted on June 18, 2013 via Humor Train with 7,061 notes
Source: humortrain
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Izzard - Until I Find You.
A great new ambient track from Izzard, about to be dropped on the new City By Night Recordings. Here is the video for the single. I’ve got a remix on the bside too, which I’ll post in due course!
Posted on June 18, 2013 via Moon Zero with 4 notes
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Plays: 2
Cyclobe - “Replaced By His Constellation”
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(via kill-scum)
Posted on June 18, 2013 via dexta's lab with 34 notes
Source: chrisdexta
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beaunoise: Oram, 1972
“[In the Machine,] single notes, and groups of notes, are often given little colour, shape, or phrasing, for the composer has had to give most of his attention to overall controls- he has created boundaries within which individuality barely counts, for he has neither time…
Posted on June 18, 2013 via words on musik with 9 notes
Source: wordsonmusik

